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Hollis & ThorneResidential sales · Established 1904

Ref. VL-1313

For sale

13 Vesperwood Lane

Ashcombe, Hollin’s Cross · Freehold · Detached

Offers in excess of £485,000

Pencilled in the margin of the particulars: Ask about the room under the stairs.

Ink drawing of a double-fronted Victorian house with a gabled roof, a porch, four sash windows and a bare beech tree beside the railings. A lamp is lit in the small attic window.
Front elevation, drawn for the particulars in October. The property is vacant.
Bedrooms
4
Bathrooms
2
Reception rooms
2
Plot
0.8 acre
Possession
Vacant

A handsome double-fronted family home at the quiet end of Vesperwood Lane, set back behind its original railings and a copper beech that was already old when the house was new.

Original features throughout: picture rails, open fires in both reception rooms, a staircase of solid oak and the deep sash windows nobody builds any more. The kitchen keeps its walk-in pantry; the garden runs down to the stream.

Offered to the market for the first time in over a century, a home that has been in one family since 1921.

The vendor is motivated and will consider all reasonable offers. Early viewing is strongly advised.

Book a viewing

Floor plan

Ground floor

Ground floor plan of 13 Vesperwood Lane: hall and staircase, parlour, dining room, kitchen and cloakroom.ParlourDining roomHallKitchenCloaksStairs

For illustration only. Not to scale.

Before you go further

A note on what follows

From here, the listing becomes a film. What follows contains themes of grief, a missing child and sustained peril. Nothing will jump out at you and there is no sound. You can stop at any time.

The house

She counts the rooms

Every family that has lived at Vesperwood Lane has written on the walls. Hold the lantern up to them.

The parlour at night: the fireplace, the picture above it and the wingback chair, barely visible.

SHE COUNTS THE ROOMS

one more every night

Room 1 of 4

The parlour

Listed as Reception room one: open fire

The chair has always faced the fire. Nobody has ever moved it back.

The nursery at night: the cot, the rocking horse, the boarded window and the height chart by the door.
  • Tom, 3
  • Tom, 4
  • Tom, 5
  • Tom, 6
  • Tom, 7
  • Tom, 41
  • Tom, 72
  • Tom, 103

KEEP THE BOARDS UP

he is still growing

Room 2 of 4

The nursery

Listed as Bedroom four: sunny, south-facing

The boards were put up in 1948. The height chart has been kept up to date ever since.

The landing at night, seen through the banisters: four doors, and a stretch of bare wall to the right.

1

2

3

4

5

COUNT AGAIN

there were four this morning

Room 3 of 4

The landing

Listed as First-floor landing: four doors off

Someone has numbered the doors in chalk. The numbers are renewed every week.

A cramped room under the staircase: the underside of the stairs cuts across it, a small chair, a candle stub on the floor.

THIS ONE IS MINE

Room 4 of 4

The room under the stairs

Listed as Not listed

It does not appear on any plan before this autumn. It is warmer in here than anywhere else in the house.

Floor plan, revised

The ground floor plan, redrawn. There is now a room under the stairs.ParlourDining roomHallKitchenCloaksStairs

The vendor has asked us to update the plan in the particulars. We have been unable to reach the vendor to confirm the change. Plan redrawn at the vendor’s request.

Found pages

Left in the bureau

Typed on the backs of the old particulars and folded into the drop-front bureau in the parlour. The last owner was Ruth Calder. She did not leave a forwarding address.

  1. 14 September

    Tom asked again why the landing has more doors at night. I told him it is the shadows from the banister. He said the shadows do not have handles.

    Measured him against the nursery frame tonight. Just over three foot four. Wrote it in pencil under Mother’s marks and Grandmother’s.

  2. 3 October

    Something has been moving the parlour chair to face the fire. I put it back by the window twice today. Both times I found it turned round by supper, and the cushion warm.

    Struck out: I am going to ask the agent to come and look. Written over it: There is no point asking anyone. It has always been like this.

  3. 19 October

    Counted the rooms this morning: twelve, as on the deeds. Counted again at dusk and made it thirteen. The new one is under the stairs, where the gas meter used to be.

    The door is very small. It is not locked. Struck out: I have not opened it. Written over it: I have not opened it yet.

  4. 28 October

    Tom’s mark on the frame is higher than mine now. He is seven.

    Someone has written our names under the stairs, in a hand I know from the deeds. Grandmother’s. Mother’s. Mine. Then a line left empty, as if for whoever comes next.

  5. 31 October

    If you are reading this, you have bought the house, or you are thinking of it. Please do not count the rooms.

    Struck out: She only wants Written over it: She is very patient.

Lantern Hill Pictures presents

Vesperwood

Some houses are never empty. They are only waiting.

In cinemas 31 October

Rated for mature audiences: sustained dread, disturbing images, themes of grief and the loss of a child.

Running time 1 hr 47 min

Be reminded on the night